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Music and musicians from Latin America are inextricable from the development of Los Angeles as a modern musical city. This volume listens for the musical urbanism of Los Angeles through the ear of Latin America. It makes the argument that the musical life of this dispersed and dynamic metropolis is shaped by immigrant musicians and migrating, cross-border musical cultures that not only have determined LA’s “harmonies of scenery,” but have been active participants in the making of the city’s modern aesthetics and modern industries.—Josh Kun, in his introduction to The Tide Was Always High
Pacific Standard Time: LA/LA continues throughout Los Angeles, and for the unprecedented Getty-led collaboration, MacArthur Fellow and cultural historian Josh Kun curated a multi-part “musical exhibition” that explore the musical networks between Los Angeles and various Latin American communities and cultures. Tune in to his latest Musical Intervention (details at the bottom of the page), plus a new curated playlist.
To deepen the experience of these events, The Tide Was Always High: The Music of Latin America in Los Angeles accompanies the series with essays, interviews, and analysis from leading academics, artists, journalists on the iconic Latin American musicians who shaped Los Angeles—and America: Carmen Miranda, Esquivel, Yma Sumac, Agustín Lara, Pérez Prado, Cannonball Adderley, Eva Quintanar, Paulinho da Costa, Lalo Schifrin, Earth, Wind & Fire, Antonio Carlos Jobim, Ninón Sevilla, João Donato, Eddie Cano, Abraham Laboriel Sr, Elisabeth Waldo, David Axelrod, María Conesa, Arsenio Rodríguez, Justo Almario, Tito Rodríguez, Flora Purim, Banda Nueva Dinastía de Zoochila, Roy Ayers, Alex Acuña, Airto Moreira, Sergio Mendes, Luis Conte.
From Hollywood film sets to recording studios, from vaudeville theaters to Sunset Strip nightclubs, the book explores the deep math homework help connections between Los Angeles and Latin America, complete with lush imagery and historical photos. Take a peek inside at some of the vibrant vintage album covers:
From the emergence of Afro-Cuban jazz to the influence of Brazilian samba and bossa nova…… to the cha cha cha rhythms of Cuban cha cha cha, Hollywood cha cha cha, rock and roll cha cha cha, and R&B cha cha cha……to the Hollywood scores arranged by the most influential, post-war, Latin American composer to the King of the Mambo…… and the King of Space Age Pop……to ethnomusicology and everyone and sound in between, “The Tide Was Always High” shows how the music of Latin America has impacted Los Angeles and American culture for decades.
All events listed at tidewasalwayshigh.com
November 4, 2017: Guillermo Galindo’s Human Nature: Sonic Botany—The Huntington, Rose Hills Garden Court
Experimental composer, sonic architect, and performance artist Guillermo Galindo presents a work inspired by “Visual Voyages.” Free; no reservations required.
UC Press is thrilled to publish three books in conjunction with PST: LA/LA. Learn more here.